Tuesday 22 November 2011
Friday 2 September 2011
Mavado Signs to DJ Khaled’s ‘We The Best Music Group’
Mavado joined Angie Martinez today on Hot 97 to announce his signing to DJ Khaled’s We The Best Music Group. Mavado and Angie phoned in Khaled for the big news. No other details were given concerning what kind of projects will come to life from this signing, but expect to hear Mavado’s voice on a ton on Khaled-produced hooks.
New Music: Ludacris – Rich & Flexin’ (Feat. Waka Flocka)
New track from Ludacris and Flocka Flame that might appear on Luda’s upcoming solo album Ludaversal. You can listen and download below.
New Music: Mavado – Emergency (Feat. Ace Hood)
Funkmaster Flex premiered this banger, titled “Emergency” featuring Ace Hood, earlier this evening. Drop another bomb on this one, certified heat. You can listen and download below.
New Music: Machine Gun Kelly – Wild Boy (Feat. Waka Flocka)
Lil Wayne 'Never Had A Moment' Like Closing VMAs
When last year's Video Music Awards aired, Lil Wayne was in a Rikers Island jail cell serving out an eight-month bid. So when he agreed to participate in this year's VMAs, he knew it had to be big.Read More: Lil Wayne 'Never Had A Moment' Like Closing VMAs
Not only did Weezy close out the awards show on Sunday night, he timed his Tha Carter IV for a midnight digital release, so fans could purchase the album shortly after watching him on TV.
"This was actually very important to me," Weezy F. told MTV News correspondent Jim Cantiello after closing the big show. "I've actually never had a moment like this."
Kicking off the performance with "How to Love," Wayne started out subdued. Dressed in a white tee, fedora and black-and-white cheetah-print pants, he crooned the words to the acoustic ballad. But by the end of the first verse, the Young Money CEO went into full-on rock mode, stripping his shirt and tossing his hat as he jammed out to a Black Sabbath-inspired rendition of his street single "John." Wayne even jumped into the crowd and greeted his friend and collaborator on the song, Rick Ross. After making his way back to the stage, the Rebirth rapper picked up a guitar and began to play a few notes before slamming it to the ground in true rock star fashion.
All in all, it seemed to be an enjoyable night for Weezy and his YMCMB family. After Nicki Minaj won Best Hip-Hop Video, Wayne, Birdman, Mack Maine and Tyga happily celebrated in the aisles of the Nokia Theatre.
"This is my first time, period, so I'm just ecstatic, I'm amazed," Wayne said about closing the VMAs. "I already have Moonmen at home, so I was good with that. Nicki Minaj got a Moonman, so that was awesome. I got to perform, Drake introduced me, it was great.
Drake and Rick Ross play up each other's upcoming albums
"This guy right here," Drake said motioning to Ross as the two sat at Lil Wayne's Tha Carter IV release partySunday, "That God Forgives I Don't; the only way I can describe it is like Doggystyle orReady to Die or Clipse Lord Willin' or any of the albums that I collected and held on to as a kid — whether it was cassette or CD."
READ MORE: Drake Compares Rick Ross' Next LP To B.I.G., Snoop l MTV News
Thursday 1 September 2011
Lil Wayne (Ft. Lil Twist & Chirs Brown) - Flowers (Coming Soon)
Young Money's Lil Twist reveals Chris Brown as the surprise guest on Lil Wayne's new song "Flowers," and speaks about his collaborations with Justin Bieber, Nicki Minaj, and Drake for his debut "Don't Get It Twisted."
Drake Speaks On Take Care Album & More With EW
Entertainment Weekly recently chopped it up with Drake, who says he has less than one month to hand in his final version of Take Care (drops October 24th). You can read their full interview after the jump, were they discuss Drizzy‘s album that will have both “Headlines” and “Marvin’s Room” on, Kanye West and Jay-Z’s Watch The Throne album, a potential collabo album with Rick Ross, and plenty more!
ENTERTAINMENT WEEKLY: In what ways are you challenging yourself this album?DRAKE: I push myself in a lot of aspects when I write a song. I write a piece and where most people would stop and say “Oh, that’s the hook right there,” I’ll move that to the first four bars of the verse and do a new hook. That makes the song easy to learn and catchy. That’s how I like to challenge myself. I’ll write something and everyone that’s around might be like “Oh that’s that hook right there.” And then I’ll write something better than that.
How many tracks are you shooting for here?Obviously, I can only fit so many songs on a CD. So what I’m doing is there will be a Take Care physical edition in stores that’ll hopefully have 15 to 17 songs on it. Then I know a lot of people do deluxe editions. But since October 24 is a special day for me, I got, like, a Take Care birthday edition that I’m going to put on iTunes that will have extra songs. I really want to encourage people to be excited about the album releasing. I remember how excited a lot of artists used to make me. I used to want to buy the physical copy to see the artwork. And if there were any bonus tracks, I’d go find them. I’m definitely trying to cause some of that excitement. I hope people go get the songs off the birthday edition. It’s going to be great, man. I’ve got a wide array of music this time. I’m very excited.
Talk to me about your team. Who are the people who are helping guide you through the album?There are about three or four major opinions that I respect. Obviously, the main one would be [engineer and producer] 40 (Noah Shebib). He’s worked with me every single night I’ve set foot in the studio since Comeback Season. He knows what I’m capable of and he’s not afraid to say “You can do that better” or “That’s it” or “I know you can write a better verse than that.” And Oliver El-Khatib, who has progressed from my friend who just used to advise me on how to dress to a guy who came up with the artwork for So Far Gone to, since he’s such a creative brain, that he’s become one of my managers. Then my DJ Future the Prince has a great ear for music. And probably the most important person in the equation is Hush, who is a friend of mine who grew up rapping in Toronto and he’s present every night. If anyone knows what I’m capable of, it’s Hush. We love rap the same way and we have the same exact ear. So I know he’s hearing what I’m hearing. I never take criticism personally from anyone. I love feedback, but especially when it comes to Hush. He understands rap probably better than anyone else I mentioned. And he’s a close friend of mine.
Rap has become like fast food. Fans want it quickly and a lot of it. It’s only been a year since Thank Me Later and your fans seem to be starving for Take Care. Do you think they’ve forgotten that artists need life experiences to craft their art? Yeah! You’ve got to live, man. Exactly. I remember when artist used to take, like, four years to make an album. Usher used to disappear for three years. It took Justin Timberlake a really long time to craft Justified. Even Beyoncé’s albums are spanned three years apart. You’ve got to live, man. And now we’ve sort of birthed and encouraged this generation of instant gratification. Where it’s like “The Weeknd’s about to release his new mixtape on Twitter and I can get it right away with the click of a button.” He just released House of Balloons a couple of months ago and they’re already like, “We need new s—! You’re taking too long.” It’s crazy, man.
I really hope that there’s people who sit with the music and drive to it and just really soak it in—not just run back to the computer and demand more. It’s important for our generation to know that it’s okay to take some time. It’s okay if an album takes a year or two to make. That just means it’s probably going to be better than if they took two months and released it.
That’s why I felt like with the Thank Me Later process I was almost trying to create some stories for myself to rap about because everything was going so fast. I was in such demand at the time that I was almost disconnecting with what was going on around me. It was kind of hard to tap into the psyche of myself. I could still make great songs. But it was hard to give people a huge part of Aubrey at that time. I didn’t have that much going on other than work. For this album I spent a lot of time in Toronto. I’ve been here for the longest time since my career started. I’ve been here for like four months now, just seeing people I know, seeing my family, seeing friends, going out, driving in the city again. It’s incredible. I think words are something I’m eager for people to hear. That’s why I’m not doing any listening sessions. I really don’t want your first impression to be from some—and no offense to you obviously—from some writer that sees it through one set of eyes and ears and then the whole world goes and forms an opinion based off that article. I want people to get it all on the same day. Even if it leaks, I want people to hear it together, as opposed to reading an in depth article about every song. I don’t people to know what to expect. There’s a lot of shocking sonic music on this album.
What do you think of how Jay-Z and Kanye West released Watch the Throne? They did a couple of exclusive sessions. I went to the first one. And they kept the album from leaking by going straight to iTunes.With Jay and with Watch the Throne, I’m so glad that it came out. As artists, we all need extra motivation. And I feel like in these last 30 days, that album is going to make me go 10 times harder from just, you know, hearing all the bars and all the sounds.
Have you thought of adopting their release approach?I think with the Jay and ‘Ye thing, that was their approach—releasing it exclusively to digital, and doing the listening parties, and getting everybody involved and excited. I think that it was a brilliant approach. Do I necessarily think that Jay or ‘Ye would do that for a solo project? No. Do I think that Jay would release exclusively to digital and, like, play all of his music off a solo album to be dissected by critics? No. I’ve discussed doing projects with is obviously Lil Wayne. And one of the people of the people I enjoy rapping with most in this business is Rozay [Rick Ross]. Me and him have talked about potentially doing something after our albums comes out. I just love making songs with him. Every time we make a song it just seems to be something I love listening to after the fact when I’m in my car.
So no press previews, huh?I just want people to be able to form their own opinion. It’ll drop in that fall season. I thrive in the fall. And I just want everybody to have that experience, whatever city you’re in, to listen to it in your atmosphere. Whether it’s in your headphones at the gym, or your car, however you do your music thing. I just want you to have that experience before you read how this beat sounds or this person’s favorite line or them saying what the worst song on the album is. Reviews condition people. At the end of the day, a lot of human minds are malleable. They can be easily shaped with strong words. You get a figure like Elliott Wilson who, to a lot of these kids, is a go-to for news and information—you get him writing a certain thing about your album, it may change the way people feel. I just want people to be able to form their own opinion.
I know you can’t confirm producers and features yet since the album isn’t done. But I have read that Stevie Wonder’s a role on the album as a writer. Am I right?Less writing and more music. The only person I really wrote with is Abel. We have a bond with words. Getting the right words is like a euphoric feeling. There are a lot of records that we collaborated on. With Stevie it was a musical thing. I had a song that’s very powerful, it’s called “Doing It Wrong,” and Stevie boosted it to another level. 40 produced it, but Stevie has a solo on it that he plays. It’s a great piece of music.Specifically, what did he bring to the record?
He brought life to it. I was only trying to use extremely strong R&B songs on this album if I’m going to use R&B at all. Before I’d have scattered interludes and songs where I’m experimenting with things. Here I wanted to get back to “Brand New,” “Bria’s Interlude” days. It’s going to be really tight writing and s— that’s sexy as f—. That’s my thing. I’m going to do the type of R&B I’m good at. With Stevie it’s hard for me to explain. It’s an incredible thing I witnessed that night. He heard a song that he saw some potential in and he added some key pieces that made it come to life. I’ve never played a song for people and they’ve cried and gone into their own private zone in their mind where they’re really thinking about some situations that hit home. And this song has done that for me. I’ve never seen that before. I’ve heard stories where it’s like “So and so cried when they heard this.” And I’d be like, “Yeah, okay, cool.” [Laughs] But I’ve seen people tear up listening to this song that me and Stevie did. Other than that, I just played him music for approval. That’s always reassuring, to be able to play Stevie Wonder music and have him say that it’s incredible. I think me and Stevie immediately formed a relationship where he wants to see me do well. He’s expressed to me adamantly that he wants to see me succeed. He wants to see me on the moon. It’s boosted my confidence.That should be the tag of the album: “Stevie liked it.”
[Laughs] I mean, he heard a few things. I leave it to guys like you to approve the rap stuff. But from a singing and melody standpoint, he was proud of what 40 and me had crafted at that time. When he came to the studio to do his parts on “Doing It Wrong,” a few hours after, I made “Marvin’s Room.” It’s a great story, this album is.Thank Me Later had quite a bit of features on it. Alicia Keys, Swizz Beatz, Jay, Jeezy, Wayne, Nicki, The-Dream, T.I…. Think you’re going to relax on the guest appearances this time?
Yeah, I was in my mind, I think, as it is for every kid that this happens to, to do a that dream album where you kind of want to flex a little bit of muscle. The best way I can put it, I guess, is that like at OVO Fest, although it should be my most nerve-racking show because it’s 18,000 people sold out in my hometown, there’s a calm that comes over me because I know have this roster of special guests. I know that you’re about to see Wayne, Stevie, Jay, Eminem, you know? It’s a calming feeling when you know you’ve got some cards to pull. And I think that was the deal with Thank Me Later. It was my first album. It was a bit rushed. And I think I found solitude in having features from people I love. It was a heavy feature album. And this album is the complete opposite.Some early Drake fans aren’t as big on you anymore, but not for any good reasons. I’m sure you get “We want the kid from So Far Gone!” a lot. That must be frustrating.
Yeah, people always say “I miss the old you.” And I take it. I go, “I hear you man.” I don’t ever lash out on online or whatever. What’s interesting is that they don’t really miss the old me, because any real fan would want me to evolve and get better. And think what people miss are the time markers. For a lot of people our albums are time markers. So Far Gone is a time marker. You may have had a different girlfriend at that time or not graduated for school yet. Life may have been simpler. So when people say that, I just think they’re saying they miss that time in their lives. Great. They associate me with that time in their life.People always give you a hard time because, in a way, you frequently sound sorry about being rich and famous. Content-wise, what can we expect from Take Care?
With this record, I knew I couldn’t talk about “Oh, I miss my old friends.” On Thank Me Later I said something like “I wish wasn’t famous. I wish I was still in school.” At that time that was really how I felt. But when I listen back to it… I’m more confident now. I just got my mother into a nice apartment. And she just got surgery and she’s healthy. And my friends all have money and they’re getting their own places. I can’t do another album about wanting to go backwards. If I do that, people are going to be like, “Man, f— you! Tell me what’s real. Tell me what’s good about this s—. Make me want to chase this. Let me know the ups and downs of this shit for real. Don’t tell you about what you miss.” That’s why I came back [to Toronto], so I couldn’t say, “I miss Toronto.” I have one song that’s sort of about that, but this album isn’t about missing anything. This album is about living it and owning it and letting you know exactly what I go through. It’s not Drake on So Far Gone and it’s not Drake on Thank Me Later. I can’t go back to the old me. It’s impossible. I’m proud of who I’ve evolved into, for sure.As a listener, I can tell you’ve grown a lot as a rapper. Have you made the same realization? I’ve heard you say that you really want to step it up on this album.
The other day me and 40 found a box of So Far Gone CDs—like actual CDs that we gave out around the city when I dropped the mixtape. That night I drove home listening to it and it hit me right there. As well put together and different as it was, it hit me that “You can rap better than this now.” It was like I told myself, “Congratulations, you can spit better than this now.” But it’s hard for me to pat myself on the back. My arms don’t reach that far. I can’t really get a good pat. [Laughs] I’m pushing myself. I’m 24 and there are a lot of eyes on me, a lot of pressure on me. And I just want to be someone they remember. I want to speak for this generation.You’ve leaked a few “singles” this summer. What of the bunch is actually on Take Care?
“Headlines” and “Marvin’s Room” are on the album. But “Dreams Money Can Buy” and “Trust Issues,” those joints are on that birthday edition. That birthday edition might be a stupid amount of songs. I’m just forewarning everybody. [Laughs] I want to service people a lot of music to get you through fall, winter, spring, and into the next summer. I want this music to last. That’s not to say I won’t be working on new things. But I just want to create something that has a long shelf life than the average album these days.Is your Universal [his record label] pissed that you give so much music away for free on your site?Specifically, what did he bring to the record?He brought life to it. I was only trying to use extremely strong R&B songs on this album if I’m going to use R&B at all. Before I’d have scattered interludes and songs where I’m experimenting with things. Here I wanted to get back to “Brand New,” “Bria’s Interlude” days. It’s going to be really tight writing and s— that’s sexy as f—. That’s my thing. I’m going to do the type of R&B I’m good at. With Stevie it’s hard for me to explain. It’s an incredible thing I witnessed that night. He heard a song that he saw some potential in and he added some key pieces that made it come to life. I’ve never played a song for people and they’ve cried and gone into their own private zone in their mind where they’re really thinking about some situations that hit home. And this song has done that for me. I’ve never seen that before. I’ve heard stories where it’s like “So and so cried when they heard this.” And I’d be like, “Yeah, okay, cool.” [Laughs] But I’ve seen people tear up listening to this song that me and Stevie did. Other than that, I just played him music for approval. That’s always reassuring, to be able to play Stevie Wonder music and have him say that it’s incredible. I think me and Stevie immediately formed a relationship where he wants to see me do well. He’s expressed to me adamantly that he wants to see me succeed. He wants to see me on the moon. It’s boosted my confidence.
I did this for the people from the jump. I’ve put myself in a position where nobody can tell me what kind of songs to do or how many to put on the album. There are no restrictions. I want people to know that. That doesn’t mean there’s no fighting. But I don’t care about anybody’s voice outside of my fans’. I’m never trying to take the political road and play things safe. I just want people to have great music. Music got me through a lot of s—. I just want to give people enough to where they’re satisfied.
That should be the tag of the album: “Stevie liked it.”[Laughs] I mean, he heard a few things. I leave it to guys like you to approve the rap stuff. But from a singing and melody standpoint, he was proud of what 40 and me had crafted at that time. When he came to the studio to do his parts on “Doing It Wrong,” a few hours after, I made “Marvin’s Room.” It’s a great story, this album is.
Thank Me Later had quite a bit of features on it. Alicia Keys, Swizz Beatz, Jay, Jeezy, Wayne, Nicki, The-Dream, T.I…. Think you’re going to relax on the guest appearances this time?Yeah, I was in my mind, I think, as it is for every kid that this happens to, to do a that dream album where you kind of want to flex a little bit of muscle. The best way I can put it, I guess, is that like at OVO Fest, although it should be my most nerve-racking show because it’s 18,000 people sold out in my hometown, there’s a calm that comes over me because I know have this roster of special guests. I know that you’re about to see Wayne, Stevie, Jay, Eminem, you know? It’s a calming feeling when you know you’ve got some cards to pull. And I think that was the deal with Thank Me Later. It was my first album. It was a bit rushed. And I think I found solitude in having features from people I love. It was a heavy feature album. And this album is the complete opposite.
Some early Drake fans aren’t as big on you anymore, but not for any good reasons. I’m sure you get “We want the kid from So Far Gone!” a lot. That must be frustrating.Yeah, people always say “I miss the old you.” And I take it. I go, “I hear you man.” I don’t ever lash out on online or whatever. What’s interesting is that they don’t really miss the old me, because any real fan would want me to evolve and get better. And think what people miss are the time markers. For a lot of people our albums are time markers. So Far Gone is a time marker. You may have had a different girlfriend at that time or not graduated for school yet. Life may have been simpler. So when people say that, I just think they’re saying they miss that time in their lives. Great. They associate me with that time in their life.
People always give you a hard time because, in a way, you frequently sound sorry about being rich and famous. Content-wise, what can we expect from Take Care?With this record, I knew I couldn’t talk about “Oh, I miss my old friends.” On Thank Me Later I said something like “I wish wasn’t famous. I wish I was still in school.” At that time that was really how I felt. But when I listen back to it… I’m more confident now. I just got my mother into a nice apartment. And she just got surgery and she’s healthy. And my friends all have money and they’re getting their own places. I can’t do another album about wanting to go backwards. If I do that, people are going to be like, “Man, f— you! Tell me what’s real. Tell me what’s good about this s—. Make me want to chase this. Let me know the ups and downs of this shit for real. Don’t tell you about what you miss.” That’s why I came back [to Toronto], so I couldn’t say, “I miss Toronto.” I have one song that’s sort of about that, but this album isn’t about missing anything. This album is about living it and owning it and letting you know exactly what I go through. It’s not Drake on So Far Gone and it’s not Drake on Thank Me Later. I can’t go back to the old me. It’s impossible. I’m proud of who I’ve evolved into, for sure.
As a listener, I can tell you’ve grown a lot as a rapper. Have you made the same realization? I’ve heard you say that you really want to step it up on this album.The other day me and 40 found a box of So Far Gone CDs—like actual CDs that we gave out around the city when I dropped the mixtape. That night I drove home listening to it and it hit me right there. As well put together and different as it was, it hit me that “You can rap better than this now.” It was like I told myself, “Congratulations, you can spit better than this now.” But it’s hard for me to pat myself on the back. My arms don’t reach that far. I can’t really get a good pat. [Laughs] I’m pushing myself. I’m 24 and there are a lot of eyes on me, a lot of pressure on me. And I just want to be someone they remember. I want to speak for this generation.
You’ve leaked a few “singles” this summer. What of the bunch is actually on Take Care?“Headlines” and “Marvin’s Room” are on the album. But “Dreams Money Can Buy” and “Trust Issues,” those joints are on that birthday edition. That birthday edition might be a stupid amount of songs. I’m just forewarning everybody. [Laughs] I want to service people a lot of music to get you through fall, winter, spring, and into the next summer. I want this music to last. That’s not to say I won’t be working on new things. But I just want to create something that has a long shelf life than the average album these days.
Is your Universal [his record label] pissed that you give so much music away for free on your site?I did this for the people from the jump. I’ve put myself in a position where nobody can tell me what kind of songs to do or how many to put on the album. There are no restrictions. I want people to know that. That doesn’t mean there’s no fighting. But I don’t care about anybody’s voice outside of my fans’. I’m never trying to take the political road and play things safe. I just want people to have great music. Music got me through a lot of s—. I just want to give people enough to where they’re satisfied.
Sunday 28 August 2011
Drake On Lil Wayne Diss To Jay-Z
I just got a beat and did a verse over it,” Drake told MTV News from the red carpet for the BMI Urban Awards n L.A. on Friday before he accepted the award for Songwriter of the Year. “Whatever any other individual has to say, you have to ask the man himself. I just did what I know how to do. I just got on a record. I heard the beat, did a verse and heard the final product.Drake Responds To Lil Wayne's Jay-Z Dis - Music, Celebrity, Artist News | MTV
Lil Wayne arrives at VMAs
Go Inside Lil Wayne's VMA Rehersal I News Video I MTV
Fans were promised a rock-star-like Lil Wayne VMA performance, and judging from his stage rehearsal Saturday (August 27) at the Nokia Theatre, Weezy F. will deliver for Sunday's big show.
Music: Will. I. Am. - On & On
New Will. I. Am. I think the song isn't bad. Gets better as it goes. You can stream and download below.
Music: Los (Shooter) - Vintage Rolls Royce Interior (No Dj)
Los goes over a classic beat. You can stream and download below.
Video: B.o.B. – Strange Clouds (Feat. Lil Wayne) (Debut In Colorado)
Last night at Colorado State University, B.o.B. debuted a song title “Strange Clouds” for the audience. He let the song go into a feature verse from Lil Wayne before cutting it off. From what I can hear, this is nice.
Jay-Z & Kanye West Will Perform At 2011 VMA’s
E! News is reporting that Jay-Z and Kanye West will be making an appearance at MTV’s Video Music Awards tomorrow. There is no information on what they will be performing, or even when they will take the stage, but things just got a little complicated. This will be the first time Hov will see Lil Wayne, who is also performing, and sitting only seats away from Jay-Z’s wife, Beyonce, after the world heard the shots Weezy fired on the song “It’s Good“. Wayne latercommented on the diss, saying “I know there won’t be any repercussions behind what I did.” It will be interesting how things play out.
Saturday 27 August 2011
Video: Big K.R.I.T. – The Vent
New visuals for Big K.R.I.T.’s “The Vent” from his latest project Return of 4 Eva.
Video: Drake Accepts BMI Award For Songwriter Of The Year
It must feel good to completely throw something somebody told you right back in their face when you succeed. Drake does just that during his speech accepting his BMI award. Sorry, Sylvia Rhone.
Source: Rapdose
Video: Dr. Dre, Nas, Game, Wiz Khalifa, Daz & Kurupt Pay Tribute To Snoop Dogg
Last night at the 11th annual BMI Awards, the legendary Snoop Dogg was honored. Dr. Dre presented Snoop with the Urban Icon Award. After getting the award Snoop and many guests performed What’s My Name from his debut album Doggystyle. After the jump Wiz Khalifa, Nas & Game and more hit the stage to honor Snoop.
Respect: RapDose
Video: Young Jeezy – Do It For You (Feat. Freddie Gibbs)
This is one of my favorites from The Real Is Back. Video directed by Decatur Dan. The Real Is Back 2 coming soon, TM103: Hustlerz Ambition drops September 20th.
Music: Lil Wayne - Tha Carter IV Album
Listen to Lil Wayne's "Tha Carter IV" album which will hit stores August 29th. You can listen below.
Blunt Blowin'
MegaMan
Nightmares Of The Bottom
She Will (Ft. Drake)
How To Hate (Ft. T-Pain)
Interlude (Ft. Tech N9ne & Andre 3000)
Abortion
So Special (Ft. John Legend)
President Carter
It's Good (Jay-Z Diss) (Ft. Jadakiss & Drake)
Outro (Ft. Bun B, Nas, Shyne, & Busta Rhymes)
BONUS SONGS
I Like The View
Mirrors (Ft. Bruno Mars)
Two Shots
Lil Wayne’s “She Will” Debuts On Hot 100 x Cortez Bryant & Birdman Speak On Tha Carter IV
Lil Wayne‘s latest single off his Tha Carter IV album featuring Drake, “She Will“, has debuted at #3 on Billboard‘s Hot 100! This is Weezy‘s highest-ever opening rank on the chart, and it also marks Wayne‘s top 10 Hot 100 debut, pushing him past other male artists such as: Eminem and Kanye West. “She Will” is the fourth entry on the Hot 100 chart from Tune‘s C4 album too, as “6 Foot, 7 Foot” featuring Cory Gunz reached #9, “John” featuring Rick Ross reached #22, and “How To Love” reached #5.
Read who CMB are about to sign next to their label, and what Cortez Bryant (Wayne’s manager) and Birdman said to Rolling Stone on August 24h about how they have stopped Tunechi‘sTha Carter IV album leaking so early like Tha Carter III did back in 2008.
“I think we’re lucky this time.” Bryant said of Wayne’s ninth album, which was officially set to premiere on iTunes at midnight on August 29th after his closing performance at the MTV Video Music Awards, and everywhere else that same day. “We held it until the last moment we could, and we didn’t send any songs or beats by e-mail – we used iChat, or a person had to get on a plane to share music…I’m knocking on wood before I get off the phone with you and it’s all over the Internet.”
Hours later, Tha Carter IV leaked. As fans sucked up bandwidth to download it, others wondered exactly what artists have to do to keep a hot album under wraps: Hotel studio sessions? Pelican briefcases? Biometric fingerprint detectors?
Wayne is no stranger to controversial rollouts: I Am Not a Human Being, released while the MC was still in prison, was a digital-only album for two weeks before CDs were let loose. Bryan “Birdman” Williams, CEO of Cash Money Records, says Wayne went the equal-opportunity route this time because those tactics “just piss everybody off. This is one of the biggest releases of the year, and we wanted to make sure that everybody got to play their part at the same time.”
Cash Money delivered Carter IV to Universal about 10 days in advance, which Williams says was necessary to press the two million units being shipped in its first week. “The goal is to sell a million-plus copies,” he explains. Although that’s likely what led to Carter IV breaking free, Williams says he’s actually OK with leaks, to a point. “I can deal with it for short period of time,” he says. It’s when you have a leak out for a long time that it’s crazy.”
In Cash Money news, the label are about to sign an internationally known pop group, who go by the name of Savvy:
Cash Money Records will expand the roster next week when they officially welcome the first pop group to their label. Internationally known pop band Savvy has inked a deal with Cash Money Records.Savvy, the label’s latest acquisition, is an internationally known six–member teen band that’s featured in the international TV show “The Wannabes,” which will premiere in North America on September 5th on Starz Kids & Family. The group will be introduced to North America via their upcoming debut album for Cash Money Records.This Monday (August 29th), Cash Money’s CEO’s, Bryan “Birdman” Williams and his brother, Co-CEO Ronald “Slim” Williams, will be on hand to welcome the group to Cash Money Records. The brothers will preside over a swanky event at 11:00 AM at The Montage Hotel, which is located in Beverly Hills. – AHH
Check Out Rolandus "Roe Roe" Bailey's LP
New Music: Roe Roe - The IntRoe
Throwback: Charli Baltimore - Come Test Us (Feat. Lil Wayne)
Lil Wayne's 'Mirror' Had A Long Road To Carter IV
Lil Wayne's 'Mirror' Had A Long Road To Carter IV - Music, Celebrity, Artist News | MTV
Behind the Beats: Ramon "REO" Owens
As an up-and-coming producer, having Kanye West, Nas and Drake pass up on your beats can be dejecting, but Ramon "REO" Owens proves that persistence pays. After crafting a beat nearly three years ago, the 30-year-old finally got his instrumental placed on Lil Wayne's Tha Carter IV as the deluxe bonus track "Mirror," featuring Bruno Mars.
"Kanye heard it, Drake heard it, and it already had the Bruno [hook]," he said. "Basically, Nas had it for a while, and it just ended up in the hands of Wayne and he loved it."
With the help of Atlantic Records A&R Mike Caren, REO, who producers in tandem with his group the Soundkillers, was able to get his beat in the hands of some heavy-hitters. Originally, his goal was to land placement on 'Ye's My Beautiful Dark Twisted Fantasy but had to settle for Tha Carter IV instead. REO said his placement boiled down to one thing: luck.
"It's to the point that they record so many songs over the time period that they're making the album, so you just hope to God that your song resonates with everybody that has to yes it," he told Mixtape Daily.
While many online reports are crediting Bruno Mars' production outfit the Smeezingtons with production on the track, REO insists that by the time Tha Carter IV is released at midnight after the VMAs -- where Wayne will also perform -- and the CD's liner notes revealed he will be properly credited as the producer and the Smeezingtons as writers on the song.
Though REO was informed that his song had made the album, he didn't believe it until C4 leaked Wednesday, and he still doesn't quite believe it. "I'm still kinda paranoid until I pick up that damn CD myself," he said.
On the aptly titled track, Wayne gets reflective. The sample-free instrumental features an eerie wail in the background and a smothered kick- and snare-drum pattern. Its appeal isn't in its intricacy, but rather in its driving emotion. "I had to listen to it a few times because I've just been hearing my beat for so many years, and I was like, 'Yo, this guy got off on that sh--,' " he said of Wayne's performance.
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